Zelfmoord van Lucretia by Bartolomeo Pinelli

Zelfmoord van Lucretia 1817

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toned paper

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light pencil work

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quirky sketch

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pencil sketch

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old engraving style

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personal sketchbook

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ink drawing experimentation

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pen-ink sketch

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sketchbook drawing

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sketchbook art

Curator: Here we have "The Suicide of Lucretia," an 1817 engraving by Bartolomeo Pinelli. My first impression is one of contained chaos; the eye struggles to find a single focal point amidst all the figures. Editor: That’s an interesting observation. The scene seems fraught with heavy symbolism. The raised dagger speaks so loudly of justice and sacrifice, echoing narratives of female virtue violently upheld within patriarchal structures. Curator: Indeed. Pinelli presents Lucretia's suicide following her rape by Sextus Tarquinius. The act is steeped in sociopolitical implications; her death, in Livy's account, served as the catalyst for the Roman Republic's rebellion against the Etruscan monarchy. It's fascinating how her body becomes a contested site, politically and physically. Editor: Notice how Pinelli has portrayed Lucretia, not as a victim of circumstance, but as an active agent making a final, defiant statement. Daggers and blades have often stood for more than just their face-value function, so consider its implications here – its sharpness against feminine softness. Is it a challenge to accepted gender norms? Or perhaps a dark inversion of Roman masculinity. Curator: Her decision becomes a catalyst for broader structural change and highlights her own agency, even within the horrific context of sexual assault. What do you make of the surrounding figures? Editor: The men react with horror, fear, and anger, each representing different aspects of Roman society's reaction. And then you've got the grieving women, whispering urgently. I sense the weight of communal responsibility in their postures and wonder whether the scene might signal both grief and defiance in equal measure. What do you make of it? Curator: They are mourning not just Lucretia but also, potentially, the established order and its discontents. I do think Pinelli is trying to evoke a specific moment of crisis, where personal tragedy meets broader societal upheaval. The image, despite its historical setting, prompts questions about sexual violence, political accountability, and collective trauma that resonate today. Editor: A powerful demonstration of visual memory—a classical tale reborn as a lesson to generations on power and moral retribution. There are cycles within history that continue to repeat and images like these that serve to remind us of the challenges still unmet.

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