Société Générale des Tournaux Profesionnels des Couturières, Exposition Universelle, 1889, No. 1502 16 95 by Monogrammist JC (19e eeuw)

Société Générale des Tournaux Profesionnels des Couturières, Exposition Universelle, 1889, No. 1502 16 95 1895

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Dimensions: height 369 mm, width 270 mm

Copyright: Rijks Museum: Open Domain

This print from the 19th century showcases the height of Parisian fashion, replete with symbolic nuances. The floral motifs, adorning the ladies’ hats, are more than mere decoration; they symbolize youth, vitality, and the transient nature of beauty, echoing ancient traditions from the garlands of Greek festivities to Renaissance allegories of Spring. Notice how the flowers, bursting with life, contrast with the women’s poised and somewhat melancholic expressions. This juxtaposition evokes a sense of fleeting time, a memento mori subtly woven into the fabric of fashion. Consider the recurring image of Flora, the Roman goddess of flowers and spring. Her image, immortalized by Botticelli, is a stark contrast to the present, an emblem of idealized beauty, whereas here, we see a contemporary twist. The floral headdresses, while celebratory, bear the weight of modern life, tinged with an awareness of time’s passage. This cultural memory subtly alters our perception, blending festivity with introspection. Perhaps, subconsciously, we recognize the echo of past eras, prompting a complex emotional response, a blend of admiration and gentle melancholy. The image becomes a powerful conduit, linking us to generations past through shared symbols.

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