About this artwork
This small card, created by Allen & Ginter, features actress Mary Anderson as part of a series for Virginia Brights Cigarettes. Note her clasped hands. This gesture transcends mere portraiture. Consider how clasped hands appear throughout art history. They are a symbol that winds its way through time, appearing in Roman funerary art as a sign of farewell, or marital union. Later, we find them in Christian iconography, often depicting saints in contemplative prayer, a symbol of devotion and inner peace. Here, Anderson’s hands suggest both vulnerability and composure. The gesture subtly conveys a sense of introspection. As an actress, she is a vessel for emotions, and her clasped hands may imply a moment of reflection. The non-linear, cyclical progression of this symbol, with its evolution through different times, highlights how visual language is capable of resurfacing.
Mary Anderson, from the Actors and Actresses series (N45, Type 1) for Virginia Brights Cigarettes 1885 - 1891
Artwork details
- Medium
- print, photography
- Dimensions
- Sheet: 2 3/4 x 1 3/8 in. (7 x 3.5 cm)
- Location
- Metropolitan Museum of Art, New York, NY
- Copyright
- Public Domain
Tags
portrait
photography
Comments
No comments
About this artwork
This small card, created by Allen & Ginter, features actress Mary Anderson as part of a series for Virginia Brights Cigarettes. Note her clasped hands. This gesture transcends mere portraiture. Consider how clasped hands appear throughout art history. They are a symbol that winds its way through time, appearing in Roman funerary art as a sign of farewell, or marital union. Later, we find them in Christian iconography, often depicting saints in contemplative prayer, a symbol of devotion and inner peace. Here, Anderson’s hands suggest both vulnerability and composure. The gesture subtly conveys a sense of introspection. As an actress, she is a vessel for emotions, and her clasped hands may imply a moment of reflection. The non-linear, cyclical progression of this symbol, with its evolution through different times, highlights how visual language is capable of resurfacing.
Comments
No comments