Willem Frederik George Lodewijk, erfprins der Nederlanden 1816

Editor: This small bronze sculpture from 1816 is titled "Willem Frederik George Lodewijk, Erfprins der Nederlanden" and it’s by Pierre Wautier van de Goor. It's a profile portrait, a bit like a coin or medal. I'm struck by its formal, almost stoic, quality. What do you make of this piece? Curator: Ah, yes. A stoic prince captured in bronze. What I find fascinating about this, and other medals like it, is the weight of history they carry, quite literally. Consider it: 1816 was a pivotal moment for the Netherlands, just after the Napoleonic Wars. A medal like this would have been commissioned to solidify and broadcast the image of a new, strong, independent nation embodied by its prince. Can you see how the Neoclassical style contributes to that desired impression? Editor: I think so, yes! The profile view and the very controlled expression feel very Roman, very… deliberate. Curator: Exactly! It evokes a sense of stability and authority. But, tell me, looking closely at the prince himself – does he seem… warm to you? Approachable? Editor: Hmm, not really. He looks rather serious, doesn’t he? Almost…severe? Curator: Perhaps that was the intention! Power wasn't always about smiles, you know. Although, personally, I prefer my royalty with a twinkle. It feels like we’re peeking into a very particular moment in the construction of Dutch national identity. Almost a little propagandistic. Editor: That’s a great way to put it! I hadn't really considered how a little thing like a medal could be so loaded with meaning and purpose. It's given me a whole new appreciation for them! Curator: Me too, actually. Looking at these objects helps one to revisit my appreciation and see these treasures as much more than pieces in display. I believe I will explore further works similar to these soon!