Saint Jerome in His Study by Vincenzo Catena

Saint Jerome in His Study c. 1513 - 1515

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painting, oil-paint

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portrait

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painting

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oil-paint

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11_renaissance

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oil painting

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portrait reference

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history-painting

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italian-renaissance

Dimensions 64.5 x 94.2 x 1.8 cm

Vincenzo Catena painted Saint Jerome in his study using oil on wood. The image is dominated by symbols of devotion and scholarship. The crucifix, the books, and Jerome’s own contemplative pose all speak to a life dedicated to spiritual and intellectual pursuits. But let us consider the peculiar presence of the partridge at Jerome’s feet. This bird, often overlooked, echoes through the corridors of art history. From ancient Roman mosaics where it symbolized the earth goddess, to medieval bestiaries where it embodied cunning, the partridge has carried diverse meanings across time. In some contexts, it's even associated with deception. Does its presence here suggest a subtle commentary on the complexities of interpretation, a reminder that even the most sacred texts are open to multiple readings? The weight of scholarly pursuit is palpable. The intense study of sacred texts—illuminating the depths of faith, but also inviting doubt and questioning. As we delve into the layers of symbolism, remember that the emotional power of images lies in their ability to engage us on a subconscious level, stirring collective memories. The partridge, then, serves as a potent reminder of the non-linear progression of symbols.

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Comments

stadelmuseum's Profile Picture
stadelmuseum over 1 year ago

This painting by the Venetian painter Vincenzo Catena is characterised by the emphasis on the representation of space and the lack of an active narrative. As a result, the depicted objects appear almost like elements in a still life. The Church Father Jerome is shown not writing but engrossed in his reading, his head supported by his bent arm. Analogous to the concept of the picture as a window onto the world, the space has been laid out using central perspective, and is not a "study" but is opened up through the view into the landscape, in front of which the Crucifix rises in silhouette.

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