Annunciation with Saint Emidius 1486

Editor: So, this is Carlo Crivelli’s “Annunciation with Saint Emidius,” painted in 1486. The composition feels really striking. The architectural setting is so detailed and vibrant, almost like a stage set. How do you interpret this work? Curator: This painting provides an extraordinary window into the social and political landscape of 15th-century Ascoli Piceno, Italy. Notice the words "Libertas Ecclesiastica" on the painting, literally "Ecclesiastical Liberty". Editor: I did notice those! What does that exactly mean? Curator: It reflects the city's struggle for self-governance under papal authority. Crivelli was commissioned to commemorate the granting of autonomy to Ascoli Piceno following a papal intervention led by Saint Emidius. The painting becomes not just a religious scene, but a powerful symbol of civic identity and resistance against oppression. Editor: I never thought about paintings having to do with freedom like that. The setting really underlines what you are saying. Curator: Exactly. Think of the dove flying freely through the window, a symbol of liberation and divine favor granted to the city. What do you think is going to happen to the woman in the room? Editor: Maybe she will become a sign of liberation herself? Sort of like, maybe it will be an allegory for women rising up? Curator: Perhaps! Looking at this piece and considering its social background definitely made me think more about women. What does it mean for this story to occur in such a political context? What will she have to face, and what choices will she have? Editor: It definitely gave me some things to consider too!