Dimensions: image: 836 x 590 mm
Copyright: © Estate Martin Kippenberger/Galerie Gisela Capitain, Cologne | CC-BY-NC-ND 4.0 DEED, Photo: Tate
Curator: Right, let's talk about this slightly unnerving poster, "Farewell to the Youth Bonus II" by Martin Kippenberger. It's a promotional piece, I think, connected to a gallery show he did with A. Oehlen. What do you make of it? Editor: Well, my first thought is, it feels deliberately awkward. The two figures look like they've wandered in from different decades. There's a tangible sense of unease to it. Curator: Exactly! Kippenberger was masterful at skewering expectations, and often used his own image to explore ideas about artistic identity and failure. The infantile diaper is almost a sort of ironic joke, isn’t it? Editor: A joke perhaps aimed at the art world itself? This image, tied to a specific exhibition, seems to also ask larger questions about who gets rewarded, and for what. Curator: I think it certainly does, yes. A final, sardonic wink before the curtain falls on youth, and perhaps, a critique of the commodification of youth culture. Editor: Well, that's certainly given me a different perspective on this poster. Thanks for the insight!
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http://www.tate.org.uk/art/artworks/kippenberger-farewell-to-the-youth-bonus-ii-p79084
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German artist Martin Kippenberger marked his thirtieth birthday in 1983 with the release of the anniversary volume Farewell to the Youth Bonus. This was followed a year later by a second book on the occasion of the birthday of his friend and fellow artist Albert Oehlen. This poster was produced for the exhibition that accompanied the launch of this second book, which ran from December 1984 to January 1985 at Galerie Thomas Borgmann in Cologne. The poster shows Kippenberger on the left and Oehlen on the right. Kippenberger is wearing over-sized white underpants that make reference to a 1962 photograph of Pablo Picasso wearing a similar pair, and which became an obsession for Kippenberger as a symbol of masculinity and of the inevitability of aging (see I Could Lend You Something, But I Would Not Be Doing You Any Favours 1985, Tate P79090).