Nine sheep 1646

Curator: Let's consider Wenceslaus Hollar's "Nine Sheep," an etching from 1646 residing here at the Metropolitan Museum of Art. The composition immediately brings to mind bucolic landscapes and scenes from country life. What is your first reaction? Editor: Endearing! There’s something so soft and… ruminative, dare I say… about their expressions. It’s surprisingly calming. And a bit comical how rotund they all are, like woolly, four-legged loaves of bread! Curator: Hollar’s etching captures not just the physical appearance of sheep, but also subtly touches on their symbolic weight. Across many cultures, sheep represent gentleness, innocence, and, of course, belonging to a flock. Editor: True. I almost feel like there's something profound beneath their gentle exteriors, given Hollar's interest in capturing natural details—sort of how simple things sometimes hold the most complexity if you look closely enough. Curator: That’s an interesting perspective. I believe it highlights the baroque elements within Hollar's realism— the blending of the idealized and observed realities. The poses, each subtly distinct, contribute to this effect, don’t you think? Editor: Absolutely. Look how some are sitting, some are standing. Others stare straight ahead, while some look down with an almost world-weary sagacity. It's an incredible study in posture! Curator: Indeed. Furthermore, consider the historical context. In 17th-century Europe, the wool trade was economically pivotal. Portraying sheep with such detail could also signal prosperity and rural ideals. Editor: It makes you wonder if they knew of their importance to the human realm, these unassuming symbols of prosperity! I look at them and simply feel at ease... sheep can truly bring about a contemplative pause. Curator: This print is a marvelous exploration of everyday life infused with layers of historical and cultural significance. Editor: So much contained in just nine sheep. I think I understand them a little better now, thanks to you.