painting, oil-paint
portrait
painting
oil-paint
classical-realism
oil painting
history-painting
academic-art
Dimensions: 36.8 cm (height) x 37 cm (width) (Netto), 56 cm (height) x 56 cm (width) x 6.2 cm (depth) (Brutto)
Kristian Zahrtmann painted 'Socrates and Alcibiades' at an unknown date, on canvas. It presents a scene of classical mentorship, but also evokes the artist's own social and political context in early 20th-century Denmark. Zahrtmann, a prominent figure in Danish art, was known for his unconventional lifestyle and his portrayal of historical and mythological subjects with a homoerotic subtext. Here, he depicts the philosopher Socrates and the Athenian statesman Alcibiades. The painting plays with the power dynamics between wisdom and beauty, portraying Socrates holding a statue, while Alcibiades gazes off, seemingly lost in thought. The depiction of male beauty was important to Zahrtmann's practice and challenged the conservative norms of his time. To fully appreciate this work, we might consider the social and artistic circles in which Zahrtmann moved. Archival material from the Royal Danish Academy of Fine Arts, and the writings of his contemporaries, could help us to better understand how it reflects the shifting attitudes towards sexuality and identity in Danish society.
Comments
The naked Alcibiades looks admiringly upon Socrates, leaning sufficiently far into the picture to allow the spectator to enjoy a sizeable portion of his well shaped body. The picture frame crops the young man's groin in an interesting way. The scene is from Plato's Symposium, where the young and beautiful Alcibiades tries to seduce Socrates, but realises that carnal desire can be sublimated to foster spiritual development. The model for Zahrtmann's Alcibiades was Hjalmar Sørensen. Sørensen lived for some time with the senior police officer Carl Hansen, who was implicated in the so-called Great Vice Case of 1906-07, where several prominent homosexual citizens were questioned by the police. The presence of one of Zahrt mann's own statuettes of the Danish Queen Leonora Christina creates a link between the artist and Greek Antiquity. Zahrtmann held "symposiums" with male attendants and was compared to Socrates.
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