Bingata Panel with Tree Peonies and Peacocks by Teruyo Shinohara

Bingata Panel with Tree Peonies and Peacocks 20th century

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painting, gouache, textile

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painting

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gouache

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asian-art

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textile

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figuration

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orientalism

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decorative-art

Dimensions 17 x 14 1/2 in. (43.2 x 36.8 cm)

Editor: So, here we have a bingata panel, likely from the 20th century, showcasing tree peonies and peacocks. The palette feels really calming with all those muted blues, pinks, and greens. What jumps out at you? Curator: Oh, isn’t it lovely? To me, this panel is like a whisper of Ryukyu history, a little visual poem about Okinawa. Bingata isn't just textile art; it's storytelling through stencils and dyes. Imagine the artisan, layer upon layer, imbuing each peacock and peony with meaning, practically breathing life onto the cloth. The somewhat flat appearance of the flowers… it feels deliberate, like a dream you can almost touch. Does it stir anything within you? Editor: It makes me think about the blend of cultures in Okinawa and how they filter into this piece. Like, are those peonies traditionally Okinawan, or are they coming from elsewhere? Curator: Ah, excellent question! Peonies are potent symbols in Chinese art as symbols of wealth and beauty, often traveling along trade routes. Their integration into bingata, alongside the peacock - another symbol of beauty, grace, royalty, and longevity across various cultures - reveals this beautiful cross-pollination of artistic languages. This work also feels more joyous and open, what do you think? Editor: Definitely more decorative, which I find appealing! It’s not trying to be overtly deep, it’s just… pleasant. What strikes me, though, is that given its clear influences, how Okinawan it truly is? Curator: You are on the nail, bingata are a clear example of adaptation and localization. What truly distinguishes it is the hand-applied nature, creating the vibrant depth that feels quintessentially Okinawan. Each one becomes completely unique in the execution, I guess that what I enjoy the most in bingata's textiles, right? Editor: It’s like seeing the artist's hand in every flower. That’s amazing. It shifted my perspective. Curator: Absolutely. These fabrics truly encapsulate the idea that inspiration often comes from those beautiful exchanges!

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