Februari c. 1650 - 1694

Editor: Here we have Dirck de Bray's "Februari," likely created sometime between 1650 and 1694. It’s a pen and engraving piece depicting a lively scene within what seems like a Dutch Golden Age interior. What strikes me most is how animated everyone looks – almost theatrical. How do you interpret this work? Curator: It is quite dynamic, isn’t it? The theatricality speaks volumes. The figures seem to be engaged in some kind of performance or game. Note the shattered window, the precarious placement of the kneeling figures... and look at the strange object on the wall. What emotional response does it evoke in you, that disruption? Editor: Anxiety, I think? And definitely some humor. They all seem to be playing a part, but to what end? Is there some underlying symbolism that we’re missing? Curator: Precisely! Consider the tradition of "sense of sight" allegories. Each character seems intensely focused on their immediate field of vision, some even comically so. Consider the symbolic weight of broken glass. What comes to mind? Editor: Loss of innocence? Or the fragility of vision, perhaps? That fits with everyone straining to see something… some truth beyond the shattered window. Curator: Indeed. And, do we see a specific status indicated in dress? How is each set of figures demarcated and why? Editor: It appears we have figures who appear as higher class playing tricks on or otherwise engaged with working-class figures within the domestic space of labor, with their relationships mediated by the exercise of their eyes. I never would have thought of it that way, actually. Thanks. Curator: You’re most welcome. It’s fascinating how much cultural narrative can be woven into seemingly simple scenes, if you only scratch the surface and start from visual motifs!