Samuel zalft David 1607

Giovanni Lanfranco created this print, titled 'Samuel zalft David,' using etching techniques. The fine lines that define the forms and create shading are achieved by drawing into a wax-coated metal plate, which is then submerged in acid. The acid bites into the exposed lines, allowing them to hold ink for printing. The material qualities of the print—its linearity and reproducible nature—speak to the democratizing potential of printmaking in the 17th century. Unlike unique paintings, prints could circulate widely, bringing biblical scenes like this to a broader audience. Lanfranco’s skill is evident in how he manipulates the etched line to create depth and texture, from the flowing robes to the muscular figures. The labor involved in producing such prints was significant, requiring both artistic skill and technical expertise. Printmaking allowed artists to disseminate their work, creating a visual culture that shaped religious and social identities. This print exemplifies how the making process is deeply connected to the wider cultural context.