drawing, paper, ink-on-paper, ink
drawing
medieval
asian-art
landscape
paper
ink-on-paper
ink
line
Dimensions 35 5/16 × 12 1/2 in. (89.69 × 31.75 cm) (image)65 11/16 × 13 3/16 in. (166.85 × 33.5 cm) (mount, without roller)
Gyokuen Bonpō painted these orchids with ink on paper during the 14th or 15th century. This painting represents more than just a pretty flower. Orchids, like bamboo, plum blossoms, and chrysanthemums, were one of the “Four Gentlemen” plants in Chinese and Japanese art. These plants were favored because they represented the four virtues of Confucianism. In Bonpō’s time, Zen Buddhism and Confucianism heavily influenced artistic styles. This artwork reflects that context, in part, through its monochrome palette and limited detail. Bonpō was a Zen Buddhist monk and his orchids are suggestive of modesty, purity, and refinement. As art historians, we can compare this to the other works by Bonpō and his contemporaries to determine whether this painting’s minimalist style reflects Bonpō’s personal style, the institutional environment in which he worked, or perhaps even the political and social structures of the time.
Comments
Epidendrum is a wild variety of orchid that grows in East Asia, where it is admired for its sweet fragrance and ability to grow even in low-quality soil. For this reason, orchids are said to be like ideal gentlemen, whose scholarly pursuits stand them in good stead even when the going is rough. In this painting, two clumps of fragrant orchids emerge from behind small boulders in the lower corner of each scroll. The orchids’ leaves compete with shoots of bamboo and brambles before breaking free, ribboning up and away across the surface of the paper. Orchids and rocks were the favorite painting subject of Gyokuen Bonpō, an elite, highly influential Zen monk who painted as an avocation. Steeped in Chinese painting and poetry, Bonpō was also a renowned calligrapher and composer of Chinese verse.
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