Algemene Centrale Vergadering in Den Haag, 1795 1796

Editor: Here we have Johan Daniël de Gijselaar's "Algemene Centrale Vergadering in Den Haag, 1795," an engraving from 1796 depicting what appears to be a very important meeting. It feels so staged, almost like theatre. What grabs your attention when you look at this work? Curator: You know, it’s funny you say 'theatre,' because doesn't it just seem like a snapshot of a pivotal moment trying desperately to *look* dignified? It reminds me of those overly-staged family portraits. Everyone frozen in their best clothes, pretending to get along. Notice how half the room are actively walking and greeting others? Do you think they know they’re having their picture taken? Editor: It really does! All those characters look so self-conscious, and yet, you also get a sense that history is in the making. What can we read in this image regarding power, social status, and maybe even the anxieties of the time? Curator: The stiff formality, the grand hall – it all shouts, “We are important! We are in control!" But if you look closer, those slightly awkward stances and strained expressions betray the uncertainty. These guys are trying to build a new world, one built with revolutionary fervor, but I would suggest that they really haven’t worked out what that would be yet, bless them! Editor: That tension makes the picture a lot more compelling! Thank you, it feels more dynamic and less 'staged' now! Curator: Anytime! Seeing that performative anxiety…that's what breathes life into historical artwork, don't you think?