Bugler, 1st Battery, National Guard of the State of New York, from the Military Series (N224) issued by Kinney Tobacco Company to promote Sweet Caporal Cigarettes by Kinney Brothers Tobacco Company

Bugler, 1st Battery, National Guard of the State of New York, from the Military Series (N224) issued by Kinney Tobacco Company to promote Sweet Caporal Cigarettes 1888

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drawing, print

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portrait

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drawing

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print

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caricature

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caricature

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figuration

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genre-painting

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academic-art

Dimensions: Sheet: 2 3/4 × 1 1/2 in. (7 × 3.8 cm)

Copyright: Public Domain

Editor: This is "Bugler, 1st Battery, National Guard of the State of New York," a print from 1888 made by the Kinney Brothers Tobacco Company. It has this slightly humorous quality, like a military caricature almost. What visual cues jump out to you? Curator: I immediately see how the uniform is presented. The details – the plume, the braiding – all speak to a romantic vision of military service, echoing earlier eras even as this card was circulated in a time of increasing industrialization. How do you think the "Sweet Caporal" branding works with the figure of the bugler? Editor: It’s odd, isn't it? I mean, juxtaposing military valor with… cigarette promotion. Maybe to create an association with coolness and sophistication? Curator: Perhaps, or maybe even invoking ideas of camaraderie and shared experience within a group, amplified by its place in a larger collector series. It hints at the complex ways societal values are often tied to consumer culture, even militarism. Think about what it meant to collect and share images like this. What does that action evoke? Editor: That’s interesting! It suggests a very active and engaged relationship with the images themselves… a sort of social currency through consumption? I hadn’t thought about it that way before. Curator: Exactly. The layers of symbolic meaning and the psychological connection to the visual are densely intertwined here, prompting many questions beyond a simple portrait. We see idealized, masculine duty intersecting with a consumerist world in interesting ways. Editor: Definitely! It makes you wonder what people at the time would think of these connections, and about our own relationship with similar marketing strategies today. Curator: Indeed, the image continues its conversation across time, forcing us to recognize our cultural inheritance.

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