TRIPES 1974

Alexander Calder, born in 1898, was a pivotal figure in the shift from static sculpture to kinetic art. His work, like "TRIPES", exists within a cultural moment grappling with rapid industrialization and technological advancements. Calder explored movement, balance, and space, creating an alternative narrative to traditional sculpture. While “TRIPES” does not move, we can still understand the negative space as a space for movement, an invitation, of sorts. His sculptures often challenge conventional notions of monumentality, offering a playful engagement with form and space. Calder’s works are more than just aesthetic objects. They reflect the societal shifts towards embracing change, questioning established norms, and celebrating the dynamic and ever-evolving nature of our world. As you stand here, consider the broader context of post-war optimism and the burgeoning interest in science and technology that defined Calder’s era. In that way, consider this piece to be a celebration of progress and the boundless possibilities of human creativity.