Dimensions: image: 287 x 177 mm mount: 561 x 412 x 4 mm
Copyright: © Georg Baselitz | CC-BY-NC-ND 4.0 DEED, Photo: Tate
Curator: This energetic drawing, untitled, is by Georg Baselitz. Editor: It feels raw, like a first thought captured in ink. Curator: Indeed. Baselitz is known for challenging conventions. The apparent spontaneity in his mark-making often belies deeper considerations of post-war German identity and artistic expression. We have to consider the political and societal context. Editor: I'm struck by the materiality—the stark black ink on paper. It’s a direct process, almost a performance captured on the page. The production feels immediate, urgent even. Curator: The flowers and vague shapes create a tension. They hint at beauty but remain abstract, perhaps reflecting the fractured nature of identity and representation. Editor: It’s a study in the power of simple materials to convey complex emotions. Curator: Absolutely. The work invites us to contemplate the artist's process and the broader cultural landscape from which it emerged. Editor: I find myself drawn to the stark contrast and the evidence of its making, a powerful statement in its very simplicity.
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Baselitz’s vigorous and expressive style, influenced by the drawing and paintings of the mentally ill, often represents the body as a site of anxiety. This series of prints show a female figure crouching and twisted. The body is fragmented: in some works, the head is cropped, while others feature only isolated limbs. The hatched and scored quality adds to the sense of raw spontaneity and even violence. Many of the prints include flowers and vegetation which, with the use of greens and browns, suggest wild nature and fertility. Gallery label, July 2015