[no title] 1995

Editor: This untitled drawing by Georg Baselitz is a whirlwind of lines. It feels frantic, almost like a memory struggling to surface. What do you see in it? Curator: I see a raw, immediate expression, a kind of primal scream rendered in ink. The figures, seemingly inverted, tap into a deep well of anxiety and perhaps even a distorted reflection of societal upheaval. The inversion is not just a visual trick, but a disruption of our expected world order. Does that resonate with you? Editor: It does! It’s like the image is fighting against itself, which makes it so compelling. Thanks, that was really insightful. Curator: My pleasure. Considering cultural memory, it makes us question which memories we choose to invert or suppress.