Tureen and stand by Bernhard Heinrich Weyhe

Tureen and stand 1769 - 1771

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Dimensions Tureen Overall (confirmed): 10 3/4 x 18 x 8 3/8 in. (27.3 x 45.7 x 21.3 cm); Stand Overall (confirmed): 21 x 12 5/8 in. (53.3 x 32.1 cm); Overall weight (non-confirmed): 8.5 lbs. (3850 g)

Curator: Welcome! Here we have an extraordinary silver tureen and stand crafted by Bernhard Heinrich Weyhe between 1769 and 1771. Its sinuous curves immediately situate it within the Rococo aesthetic, currently housed at the Metropolitan Museum of Art. Editor: Whoa. It's so extra! I feel like Marie Antoinette would have had this on her table. There's just so much...shine. All those elaborate details feel almost dizzying. It evokes an era of over-the-top opulence and pure, playful excess. Curator: Exactly! Rococo was all about that playful opulence. Note the material, silver; not only the expense, but its reflective properties emphasize luxury, highlighting every curve. The form of something like a soup tureen offered these artisans an incredible space for expressive exploration of craft. It really blurred the line between functional object and sculpture. Editor: It really does. Like, imagine actually using this for soup. I'd be terrified of scratching it or, god forbid, denting it! It is indeed functional, but the skill required transcends such humble status; this is undoubtedly, emphatically ART! The sculpted figure on the lid...almost like a playful nymph or garden spirit watching over our meal. Does it give a magical blessing to the gruel, perhaps? Curator: In some ways. By elevating an everyday object through sheer artistic and material investment, it transformed the act of dining into something far more performative. The whole process becomes decadent. Silver, during this period, became less a background for coats-of-arms or monograms, and was pushed more and more toward pure decoration. It speaks of status in the form of excess consumption. Editor: And isn't that the truth! All those hours of labor...all the raw material taken from the earth...channeled into a single, gleaming declaration of "I have more than enough." And it worked! Even today, centuries later, the artistry speaks for itself and is appreciated on its own merits. It does invite us to consider both sides of that gilded coin, doesn’t it? The beauty...and the implications. Curator: Indeed. It provokes interesting thoughts regarding production and consumption. And from that perspective we gain better insight. Editor: Absolutely. This encounter does what art should—spark joy and provoke important questions. A delicious dish.

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