Vrouwen op de akker by Anonymous

Vrouwen op de akker 1925 - 1928

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photography, gelatin-silver-print

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landscape

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photography

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group-portraits

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gelatin-silver-print

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genre-painting

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realism

Dimensions height 175 mm, width 232 mm, height 212 mm, width 260 mm

Curator: At first glance, this image conveys a somber feeling; it's vast and monotone, depicting women toiling in a field. What details can you discern? Editor: Indeed. The photograph, a gelatin-silver print made sometime between 1925 and 1928 and titled *Vrouwen op de akker*, which translates to 'Women in the field', presents a muted palette. The eye is immediately drawn to the horizontal band of women, their figures evenly spaced, almost regimented within the expansive field. The composition directs focus on their labor in this landscape setting. Curator: Their presence, evenly distributed yet isolated within their labor, reminds me of archaic ideas surrounding womanhood connected with land cultivation; the symbolic power in this is very potent. Does the land itself speak to you at all? Editor: Structurally, it reinforces a sense of both repetition and recession. The women are mirrored by the small hill range in the distance, creating echoing, similar visual masses, connected with implied labor. Curator: That resonates deeply. The image has a subtle undertone. I also notice each woman is slightly bowed over, and with their faces cast in shadow they lack a sense of self beyond the labor at hand; they appear to be almost faceless. What could be at the root of this kind of visual representation? Editor: The contrast between the earth's darkness and the lightness in the sky pushes these human elements to a more shadowed reading as well. They almost become shapes of their clothes as much as unique humans themselves, giving the figures a certain gravity of mass in tone alone. Curator: Right; this echoes age-old portrayals depicting women's collective destiny inextricably tied to the earth's rhythms and demands. Each woman blends seamlessly within their landscape, yet somehow remains distinct with slight changes in form—but they are not entirely independent from one another either. There’s this push and pull within group association. Editor: Precisely. Looking again, that constant interplay creates that striking tension that grabs our interest in the picture overall. Curator: Well said. Thanks for the image clarification!

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