Leidinggevenden van plantage(s) in de velden van tabaksplantage Boeloe Tjina op Sumatra c. 1900 - 1920
print, photography, gelatin-silver-print
landscape
photography
orientalism
gelatin-silver-print
realism
Dimensions height 151 mm, width 200 mm
This photograph, with the title Leidinggevenden van plantage(s) in de velden van tabaksplantage Boeloe Tjina op Sumatra, shows a field of tobacco plants with plantation overseers. We don’t know who made this image, but I can’t help imagining the process of taking a photograph like this at the time. What was it like to be there? What were they thinking when they released the shutter? Photography like painting, is an act of inquiry. What does it mean to frame something and take it out of the world and bring it back in the form of a photograph? Maybe that’s what the photographer was thinking about as well… I wonder what they were trying to show us, if anything, about the colonial situation they were living in. Artists, painters, photographers—we’re all in an ongoing conversation, exchanging ideas across time, inspiring one another’s creativity. Photography embraces ambiguity and uncertainty, allowing for multiple interpretations and meaning over fixed or definitive readings. What do you think?
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