Portret van Mirza Ilich Khan, die vizier van Aurangzeb is geweest c. 1686

Editor: Here we have a painting titled "Portret van Mirza Ilich Khan, die vizier van Aurangzeb is geweest," which translates to "Portrait of Mirza Ilich Khan, who was vizier of Aurangzeb." Created around 1686, it's currently housed here at the Rijksmuseum. Painted using watercolor, this piece gives me a distinct feeling of regal solemnity. What catches your eye most about this miniature? Curator: That’s a brilliant start! Immediately, the incredible detail pulls me in, particularly the intricate patterns in his sash and turban. It's a window into a world valuing refinement, isn't it? Do you feel you perceive a sense of distance because he doesn't quite meet our gaze? I'm getting the sense that this piece immortalizes not just a likeness, but a carefully constructed persona meant to project power. Editor: I do get a sense of distance, yes. It makes you wonder what he’s really thinking, doesn’t it? Do you see any symbolism in the colours? Curator: Precisely! It's tantalizing, this curated glimpse. Considering this was likely commissioned, perhaps for the court of Aurangzeb, colour symbolism is fascinating to explore. The muted palette, avoiding ostentatious displays, may communicate wisdom and restraint, values crucial for a vizier. Although some purples do sneak in, maybe signaling he likes fancy waistcoats? It speaks volumes through suggestion, far more engaging than outright declarations. Editor: That’s fascinating! The waistcoat mention makes me imagine him being fun at parties! I wouldn't have thought about it like that. Thank you! Curator: My pleasure! It’s like looking into a painted soul, or at least, a carefully constructed version of one, ha! Now it's our soul staring back at this "soul"... Makes me think about who *we* truly are too! Food for thought!