Miraculous Draught of Fishes c. 16th century

Editor: This intriguing print, "Miraculous Draught of Fishes" by Ugo da Carpi, feels so raw and immediate. I’m curious about the artistic process behind it. What can you tell me about the methods of production and materials used? Curator: The "Miraculous Draught of Fishes" exemplifies da Carpi’s mastery of the chiaroscuro woodcut, a process heavily reliant on skilled labor. The printmaking process itself, the layering of tonally distinct blocks, mimics painting but foregrounds the labor and materiality of reproduction. What does this elevation of craft over the traditionally valued "fine art" of painting suggest to you about the work's intended audience and social context? Editor: That's fascinating! It makes me think about how printmaking democratized art, making it more accessible. I hadn't considered the social implications of the technique itself. Thanks! Curator: Precisely. Considering the materiality of art helps us understand its role in a broader cultural landscape.