Miraculous Draught of Fishes c. 16th century

Editor: So, this is Ugo da Carpi's "Miraculous Draught of Fishes," a chiaroscuro woodcut. I’m struck by the contrast between the detailed figures and the rather sparse background. How do you interpret this work, considering its creation process? Curator: Given its medium, consider the labor involved in carving separate blocks for tone and line. How does this affect the image's distribution and reception? Was it conceived as high art or a more accessible form of image production and dissemination? Editor: That’s a really interesting point. I hadn’t considered the socio-economic implications of the printmaking process itself. Curator: Understanding the means of production provides insights into art's role within society. Editor: Right, I see what you mean. Thanks!