Stilleven met astronomische objecten, een vaas met bloemen, een kruis en een vaandel by Auguste Numans

Stilleven met astronomische objecten, een vaas met bloemen, een kruis en een vaandel 1843

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drawing, pencil

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drawing

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pencil sketch

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romanticism

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pencil

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history-painting

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academic-art

Dimensions height 218 mm, width 153 mm

Editor: So, this is "Stilleven met astronomische objecten, een vaas met bloemen, een kruis en een vaandel," a still life with astronomical objects, a vase with flowers, a cross, and a banner, created in 1843 by Auguste Numans. It's a pencil drawing. I'm struck by the almost scientific precision combined with these romantic, almost nationalistic symbols. How do you interpret this collection of objects? Curator: It’s a fascinating convergence, isn’t it? Given the date, I see it as a statement about the evolving identity of the Netherlands in the 19th century. Science, represented by the astronomical instruments, was rapidly advancing, and playing a part in Dutch intellectual life. But simultaneously, we have the symbols of nationhood, and faith. How do these elements interact, would you say? Is there a contradiction? Editor: I suppose there’s a tension there. The pursuit of scientific knowledge could be seen as challenging traditional beliefs, but maybe it's a comment on finding harmony in those pursuits? Curator: Precisely. Think about how emerging national identities often grappled with internal tensions: embracing modernity while preserving cultural heritage. The banner could represent a collective aspiration, while the flowers and cross speak to deeply held personal beliefs. Are there other groupings of objects which evoke any further tension to you? Editor: Perhaps the juxtaposition of the quite severe scientific tools with the softness of the flowers, like hard and soft power? Curator: I appreciate your drawing the parallel to soft and hard power. And I wonder, to what extent is this artwork commenting on power dynamics, and to what extent is it subtly reinforcing them? The symbols Numans selects – who are they "for", and potentially, who are they "against"? Editor: I never thought about still life in that way before, as something that can contain so many layered social messages. Thank you! Curator: It’s a pleasure to look beneath the surface with you, revealing the quiet, yet powerful dialogues happening within art.

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