The Holy Family 

Simone Cantarini made this drawing of The Holy Family sometime in the 17th century, using red chalk on paper. This was a favored medium for Italian artists, especially for preparatory sketches. The material itself invites a certain kind of handling. Red chalk lends itself to soft, luminous effects, and you can see how Cantarini has exploited this quality in the delicate shading of the figures' faces and drapery. The texture of the paper also plays a role, creating a subtle tooth that catches the chalk and adds depth to the drawing. While the drawing appears effortless, it reflects Cantarini’s skilled labor. He would have carefully selected his materials, prepared the paper surface, and then used the chalk to build up the image gradually, paying close attention to the play of light and shadow. This kind of drawing was crucial for developing ideas and working out compositions before embarking on more ambitious paintings. Ultimately, by focusing on the materials and processes involved in its creation, we can gain a deeper appreciation for the artistry and skill of Simone Cantarini. It challenges the notion that drawing is somehow separate from, or less important than, painting.