Andiron c. 16th century

Editor: Here we have a pair of brass andirons, dating back to the 16th century, currently residing at the Minneapolis Institute of Art. These objects really capture the decorative style of the time! What historical narratives do you think these andirons speak to? Curator: Well, as humble as they may seem, these andirons speak volumes about the domestic lives of the elite during the Renaissance. Their very existence signifies a move towards increased comfort and a burgeoning concept of interior design as a reflection of status. How do you think the development of metalworking impacted this trend? Editor: I suppose it made more ornate and durable designs possible, elevating functional objects into status symbols. What about the imagery or style? Curator: Exactly. We can consider the rise of humanism and the emphasis on classical forms in the Renaissance era reflected in their shape and ornamentation. Fireplaces were social gathering spots, and these andirons are testament to a desire to cultivate a cultivated image of the home, a backdrop to sophisticated social interaction. Have you considered the politics inherent in displaying such objects? Editor: I hadn't thought about it that way, but I suppose owning such ornate objects implied wealth and power in a very visual way. It's interesting to consider how even something so seemingly simple as a fire grate could be politically charged. Curator: Precisely! And remember, these objects were often commissioned and would become part of dynastic display. Even in our contemporary times, the things we surround ourselves with send very particular messages, whether intentional or otherwise. Editor: I never would have thought there was so much to learn from looking at... fire dogs. Thanks for shedding light on the politics of décor. Curator: It is my pleasure; seeing historical contexts emerge through objects of the past never fails to give a new outlook to our lives and history!