Zomer 1850 - 1881

Editor: This is "Zomer," or "Summer," a print by Dirk Noothoven van Goor, sometime between 1850 and 1881. It reminds me of a children's book, with these little vignettes and Dutch text. What strikes you when you look at it? Curator: The compartmentalized composition is compelling. It is sectioned by what appears to be separate artworks but they are unified by being presented together on a single print. The engraving itself, the line work, while simple, offers distinct tonal values based on the density of the hatching. Do you observe how the artist creates depth and shadow through these varied lines? Editor: Yes, I see that! It almost feels like looking at separate little worlds. The shading gives a sort of whimsical but grounded texture to each scene. Curator: Precisely. The structural arrangement encourages a comparative analysis. Each miniature artwork is a complete formal exercise while together they compose a new artistic arrangement. Consider how the typefont and musical notes contrast and compliment the picturesque engraving? Do these combinations challenge the historical conception of “fine art?" Editor: That's a good question. It definitely makes me rethink what belongs together in a work. I never considered how something as functional as typeface could interact with the imagery. Curator: Indeed. Examining the visual interplay and structural elements allows for multiple levels of interpretation. Editor: I now realize how much there is to be understood about a picture that I otherwise may have glanced at quickly. I see how considering these formal relationships leads to a greater appreciation. Curator: Exactly. Close observation is often richly rewarding.