Season of the Witch by Sarah Joncas

Season of the Witch 

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painting, acrylic-paint

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portrait

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figurative

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contemporary

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character portrait

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painting

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acrylic-paint

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figuration

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portrait reference

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portrait head and shoulder

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animal portrait

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animal drawing portrait

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portrait drawing

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facial portrait

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portrait art

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fine art portrait

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digital portrait

Curator: Look at the spectral quality of this figure. The painting, by Sarah Joncas, titled "Season of the Witch," immediately conveys a feeling of otherworldly serenity and power. What do you think? Editor: My first impression is definitely otherworldly; that pallid skin against the jewel-toned necklace and dress, set against a starlit background... It gives me the feeling of a pre-Raphaelite painting, but with a more modern edge. How might the title influence the work? Curator: That edge is intriguing! The "witch" title complicates a simplistic reading. Considering it alongside the jeweled collar, we can perhaps see an interpretation of wealth and status that reflects certain social dynamics linked to feminine representation. And that snow globe she cradles adds a whole layer, doesn’t it? It creates a private world in contrast to the expansive background. Editor: Absolutely, that snow globe shifts the entire work, turning it into a miniature theater. There's this idea of contained power, of a world held carefully in her hands. But let’s remember that art, especially figurative work like this, is never created in a vacuum. Joncas operates within a specific art world, exhibiting in galleries with certain curatorial agendas. That influences both her production and the audience’s reception. Curator: Precisely, and considering that social sphere, that notion of "witch," conjures up broader issues of gender and the historically demonized figure of the independent, powerful woman. That contrasts to this hyper-stylized depiction, almost idealized. She embodies both victimhood and sovereignty simultaneously, a captivating intersectional space. Editor: Very interesting observation! Examining Sarah Joncas' influences within the current art market reveals the social and institutional context that is essential to the evolution and definition of such an image. We must not forget the historical lineage of paintings that represent women to recognize the visual weight of "Season of the Witch" today. Curator: Thank you, this gives us so much to consider; the push and pull of power, social expectations, and this striking visual language – the work is incredibly compelling on multiple levels. Editor: I agree. I am leaving with a completely new understanding of "Season of the Witch", viewing the artist’s vision in a broader art historical and socio-political context.

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