Ta bouche 1893

Henri de Toulouse-Lautrec created this lithograph called “Ta bouche” in the late 19th century, a period marked by significant social changes in Paris, including shifting gender roles and the rise of bohemian culture. Lautrec, known for his depictions of Parisian nightlife, offers a glimpse into private moments, specifically of women identified as prostitutes. Here, the fluid lines and warm tones capture a woman reclining, with an ambiguous expression that invites speculation about her emotional state and the nature of her work. The artist developed a real empathy for these women, observing: "I paint things as they are. I don't judge." This artwork challenges conventional representations of women by presenting them as complex individuals rather than idealized figures. The intimacy of the scene and the ambiguous gaze evoke questions about the power dynamics inherent in such encounters, and the societal judgements placed on women during this era. Ultimately, “Ta bouche” speaks to the personal lives of these women, reflecting on their vulnerability and resilience within the complex social fabric of 19th-century Paris.