Twee figuren met de gezichten dicht bij elkaar 1849 - 1917

This drawing of two figures with their faces close together was made by Matthijs Maris. The composition is dominated by the intimate closeness of two figures, their faces nearly touching. This embrace, a symbol of connection, recalls images of the Madonna and Child. The bond between mother and child is a powerful expression of love and protection. This motif of faces drawn together recurs across art history, from classical friezes depicting tender farewells to Renaissance paintings illustrating familial affection. Note the figures’ interlocked hands, a gesture that evokes a sense of unity and mutual support. This simple, yet profound symbol appears in various contexts, from ancient marriage ceremonies to contemporary political imagery, each time carrying the weight of shared commitment and emotional solidarity. There is a deep, subconscious element at play; the urge to connect, to find solace in another's presence, is a primal human emotion. This drawing resonates because it taps into our collective memory of tenderness and the fundamental need for human connection. The image serves as a mirror reflecting our own experiences of love, loss, and the enduring quest for intimacy.