Chimney Piece with Venus and Adonis by Ignatius van Logteren

Chimney Piece with Venus and Adonis 1730

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Dimensions height 86.5 cm, width 78.5 cm, depth 7 cm, weight 55 kg

Curator: Looking at this relief sculpture in marble from about 1730 by Ignatius van Logteren titled "Chimney Piece with Venus and Adonis," the figures strike a mood of quiet drama, don't they? Editor: Yes, my first impression is the texture. It’s exquisitely smooth, that marble, but then also consider how much implied movement is going on despite that static medium: the drapery swirling, Venus turning. I feel that contrast really charges the whole piece with latent energy. Curator: Precisely! The figures of Venus and Adonis come from Ovid’s Metamorphoses. Beyond a story about romantic love, it serves as an allegory of the seasons: Venus, the goddess of love, lamenting Adonis's death is linked to winter and death. Adonis's return to Venus, albeit briefly, becomes springtime and rebirth. Editor: Ah, I see now! The bow and hunting horn lying discarded symbolize the forsaking of the hunt and by extension Adonis ignoring his fate. Also, there's a poignant tension between their gaze directions. Curator: Indeed! He gazes intently, even reassuringly at Venus, whereas she looks out to the side. Their non-concordance underscores that moment before tragedy strikes. The dog further solidifies Adonis's status as a heroic hunter. Editor: Looking again, the overall composition really plays with layering: we have Adonis foregrounded almost possessively of Venus, the dog nestled right beside his feet, but then you have that deeper almost sketchlike forest receding into the background, reinforcing both emotional intensity but also an ominous mood as well. Curator: Exactly, Ignatius's mastery is not just in the Neoclassical depiction but in subtly evoking those underlying layers of grief and hope inherent in Venus's symbolism across time. Editor: Yes. This piece certainly offers an interesting reflection on themes of both permanence and ephemerality, the still object capturing an unfolding drama. Curator: Very true; it’s quite incredible what Van Logteren has imbued within this Chimney Piece with Venus and Adonis!

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