Heilige Maria als kluizenares by Christoffel van (II) Sichem

Heilige Maria als kluizenares 1644

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print, engraving

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portrait

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baroque

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print

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line

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history-painting

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engraving

Dimensions height 148 mm, width 105 mm

Editor: This print, "Heilige Maria als kluizenares," or Saint Mary as a Recluse, made in 1644 by Christoffel van Sichem II, has a stark, almost unsettling quality, doesn't it? It's a baroque engraving. The stark lines create such contrast. What catches your eye about this piece? Curator: What I find interesting here is the labor inherent in producing an engraving like this. Think about the process: the artist meticulously carving lines into a metal plate, the pressure required for each pull of the press, and how these reproducible prints circulated ideas and imagery far beyond a single canvas ever could. Does seeing this work on paper give you a different view than if it were painted? Editor: Definitely! It’s less about individual artistry, perhaps, and more about a collective process of reproduction and dissemination? How does this specific method connect to its historical period, the baroque era? Curator: Well, the Baroque period saw the rise of print culture. Consider the economics of it. Engravings like this allowed for religious and political ideas, even aesthetic styles, to spread to a wider audience at a fraction of the cost of paintings. Who was the audience of such work in the 17th century? Editor: Probably a more diverse segment of society, since it was more affordable than paintings. Did it perhaps challenge traditional patronage models for artists? Curator: Precisely! The means of production empowered the artist in a different way, although reliant on specialized skills like engraving. They were now crafting objects that catered to, and even shaped, the tastes of a broader market, thereby shifting control over consumption. And where are these objects eventually going to end up? Editor: Fascinating! So, looking at the materials – the ink, the paper, the metal plate – tells us about a shift in artistic control, production, and consumption during the baroque era. Thanks for illuminating that! Curator: Likewise! Now think about how the dissemination affected belief itself...

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