print, engraving
narrative-art
old engraving style
orientalism
islamic-art
history-painting
engraving
Dimensions: height 241 mm, width 149 mm
Copyright: Rijks Museum: Open Domain
Daniël Veelwaard created this print, "Western Men Visiting the King of Kabul," in 1818. The print depicts a formal encounter, dominated by symbols of power and authority. Note the king seated on a raised platform, a throne under a canopy, signifying his elevated status. The Western visitors, standing in a semi-circle, present themselves with diplomatic gestures. Consider how the throne motif is present throughout history, from ancient Egyptian pharaohs to medieval European monarchs. Each culture adapts and reinvents the symbol to reflect its specific values and power structures. The canopy, often associated with sacred or royal figures, echoes this theme of protection and divine right. There's a psychological aspect to such displays of power. The deliberate arrangement of figures, with the king at the apex, engages viewers on a subconscious level, triggering primal responses related to hierarchy and social order. This print showcases how symbols persist, evolve, and continue to shape our understanding of authority and cultural exchange.
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