Kera by Anonymous

Kera c. 20th century

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weaving, textile

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weaving

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textile

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geometric

Dimensions 66 x 2 1/8 in. (167.64 x 5.4 cm)

Curator: Isn’t this textile vibrant? The Minneapolis Institute of Art has this lovely piece titled "Kera" dating from around the 20th century, crafted with both silk and cotton. Editor: It leaps out! It looks like a series of coded messages or perhaps some beautiful mathematical equation rendered in thread. What exactly are we looking at? Curator: The museum identifies it as a 'Kera,' which could signify its use as a belt or sash, most likely for ceremonial purposes, but lacking details about specific usage or cultural origins, it's difficult to make definitive assertions about its function within a particular community. Editor: Still, you get a sense of how personally meaningful it would have been to the individual who wore it. All those careful stitches...geometric shapes. What's the underlying symbolism? Curator: Absolutely! I read the patterns through my training as signifiers and storytellers for cultural memory. Each X could carry ancestral weight, representing a lineage, a clan, or specific cultural values. The repeated geometric patterns and use of brilliant colors likely serve a mnemonic function. And you have to think about the active role this textile would play as the body moves, activating its coded language and broadcasting information. Editor: I like that thought, the broadcast. The colours, the material, must carry particular weight in the community in question, even if their symbolism has been lost with time. What's fascinating, isn't it, how even something so relatively small carries so much presence? Curator: It’s true. Consider how such an artifact navigates museum spaces today—altered, as you say, in perception when it no longer circulates as its creators had intended. Museums and galleries tend to flatten these power dynamics when presenting it for consumption. Editor: Yes, true, and thinking about its future role helps reflect upon how those lost symbols are so powerful today. I feel an enduring reverence for that act of creation, a connection to human stories which is just... timeless.

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