Portrait of a Blonde Beauty c. 1955

Edwin Georgi’s Portrait of a Blonde Beauty is a dreamy vision, made with what looks like soft, almost powdery strokes. It's not about sharp edges; it’s all about letting the colors blend and create this hazy, romantic feel. Looking closely, you can see how Georgi builds up the layers, especially around her hair. It’s a mix of yellows, whites, and even a touch of green that gives it this almost glowing quality. And the way he handles the shadows, they're not harsh, but soft and gentle, adding to the overall mood. It’s as if the whole piece is filtered through a warm light. The mark-making feels intuitive, like he's feeling his way through the image, letting the colors and textures guide him. It reminds me a bit of some of the impressionists like Berthe Morisot, with that focus on light and fleeting moments, but Georgi brings his own unique touch to it. It's a reminder that art is about capturing a feeling, not just a likeness.