Les bohémiennes de l'amour by Louis de Montchamp

Les bohémiennes de l'amour 1862

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graphic-art, print, typography

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graphic-art

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print

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book

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typography

Dimensions: height 187 mm, width 125 mm, thickness 12 mm

Copyright: Rijks Museum: Open Domain

Curator: This piece is "Les bohémiennes de l'amour," or "The Bohemian Women of Love," published in Paris in 1862 by Louis de Montchamp. We are looking at a title page from this book, a stunning example of graphic art and typography. Editor: My initial reaction? Austere, but not without a certain charm. The book looks well-worn; I wonder how many hands have turned these pages and the context in which it was originally circulated. Curator: I’m drawn to the implied labor behind such typography. Consider the process of physically setting each letter for printing. The craft! And think of the paper itself, its materiality, and its relatively humble function: not high art per se, but essential for circulating ideas about bohemians and their ideas about love in mid-19th-century France. Editor: Exactly! The very fact it was "chez tous les libraires," or "at all the bookstores," speaks volumes about the reach of these stories. Bohemianism, even romanticized, must have been acceptable enough for widespread distribution. Who was buying it, and what did it represent to them? Rebellion? Escape? Curator: Perhaps both. And this hints at something crucial about the consumption of the “Bohemian” identity: as a label it offered ways to challenge the norms. But it did not question the system that turned dissent into marketable artistic style, the fashion industry. Editor: Absolutely. Plus, books like this actively shaped perceptions of bohemia and bohemians, probably for an audience that had little to no actual contact with those communities. I mean, what exactly was the target group that found interest in this artwork at the time? Curator: Precisely! It is not always a perfect reflection. A crafted ideal! And so we arrive at artmaking as work, authorship, book distribution, a whole host of implications in what looks like "just" a simple title page. Editor: Ultimately, a lens through which to examine the complex dialogue between social identity, public perception, and the mechanics of cultural dissemination. A very nice place to linger with these bohémiennes.

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