Untitled Composition by Judith Rothschild

Untitled Composition 1945

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Dimensions: support: 730 x 595 x 20 mm

Copyright: © The Judith Rothschild Foundation | CC-BY-NC-ND 4.0 DEED, Photo: Tate

Editor: This is Judith Rothschild's "Untitled Composition" from around the mid-20th century, housed at the Tate. It’s oil on canvas. The black outlines create these almost puzzle-like shapes, and the colors feel bold. What do you make of it? Curator: It’s interesting how Rothschild abstracts form. Consider the historical context – the mid-20th century was a period of immense social upheaval, the aftershocks of war, and emerging civil rights movements. Do you think this fragmentation could reflect a societal deconstruction? Editor: That’s a compelling idea. It makes me wonder if the bright colors are a form of resistance, or perhaps an expression of hope amid that upheaval? Curator: Precisely. And it's vital to consider Rothschild as a woman artist working in a male-dominated field. Her abstraction could be interpreted as a deliberate distancing from traditional, patriarchal representations of the figure. What do you think of that? Editor: I hadn't considered that, but it adds a whole new layer to understanding her choices. Thanks! Curator: It certainly reframes the work for me, too.

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tate's Profile Picture
tate about 1 month ago

http://www.tate.org.uk/art/artworks/rothschild-untitled-composition-t11810

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tate's Profile Picture
tate about 1 month ago

Between 1944 and 1947, Rothschild completed a number of paintings in a very pared-down style consisting of bold lines and flat blocks of colour. These works combined references to objects with geometric abstraction. They reflect her growing interest in the work of Dutch artist Piet Mondrian, who had moved to New York in 1940. Mondrian’s gradual transition from figurative subject matter to pure form offered Rothschild a model as she explored the boundary between still life and abstraction. Gallery label, April 2022