Study for "Dogma of the Redemption: Frieze of Angels" [verso] 1895 - 1903

Curator: Let’s spend a few moments with this intriguing sketch by John Singer Sargent, "Study for 'Dogma of the Redemption: Frieze of Angels' [verso]," created between 1895 and 1903. Editor: It has such a stark, almost haunting quality to it. The figure appears trapped or confined, presented in the form of this graphite sketch on a very aged paper, hinting to themes of limitation. Curator: That sense of confinement speaks volumes. Sargent was commissioned to create murals for the Boston Public Library, and this study unveils a fragment of his larger narrative around religious dogma. The figure holding what appears to be a ladder has its role defined by religious narratives and academic practices. Editor: I’m really drawn to how the simplicity of the pencil brings forward the figure's garment. There’s an interesting contrast between the softness of the clothing's depiction and the harsh lines of what I think might be a rack. This could tell something about the labour and techniques employed. The physical act of drawing, repeatedly going over the same lines... it's like Sargent is literally working through an idea. Curator: Absolutely. The process reveals Sargent grappling with complex theological ideas in a public space. These murals had to resonate with Boston's elite, thus, the artwork shows Sargent aligning his aesthetic with acceptable portrayals for the cultural institutions of his era. Editor: This almost feels like Sargent is inviting the viewer to see the material and the conceptual being reconciled in the artwork, where an artist’s private reflections become a large civic statement about religious devotion. I also appreciate the visible marks of creation. Curator: I agree, observing the materiality makes it far more profound. Thanks for highlighting that perspective. Editor: And thank you, learning of the social and religious influences surrounding Sargent’s work has further helped bring new light to this work!