Study of Right Hand and Left Elbow and Arm for "Love Potion" 1903

Editor: Here we have Evelyn De Morgan's "Study of Right Hand and Left Elbow and Arm for 'Love Potion.'" It's a preparatory drawing, and the isolated limbs feel almost sculptural in their starkness. What strikes you about this piece? Curator: It's interesting to consider how the pre-Raphaelite movement, to which De Morgan belonged, engaged with historical narratives through art. This study, though preliminary, reflects the academic tradition of anatomical studies, but also hints at the performative and theatrical elements often found in depictions of love and desire during this period. It almost feels like a fragment of a larger societal drama, don't you think? Editor: That makes me think about how women artists had to navigate that tradition. I wonder how the art world perceived female artists portraying female figures? Curator: Precisely. De Morgan's choice to focus on these specific body parts could be seen as a commentary on the objectification of women. By presenting them as studies, she almost dissects the male gaze, reclaiming control over the narrative. What do you make of the subdued color palette? Editor: It emphasizes the clinical, detached aspect, but also gives the body an otherworldly quality. It's like a classical sculpture emerging from the mist. Curator: Exactly. By understanding the historical context, we can appreciate the layers of meaning embedded within even a seemingly simple study like this. Editor: I see what you mean; it's much more than just a study of anatomy. Thanks for illuminating that!