Fabriek en ceremonie by Anonymous

Fabriek en ceremonie 1929 - 1930

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photography, architecture

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portrait

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photography

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group-portraits

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cityscape

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modernism

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architecture

Dimensions height 131 mm, width 177 mm, height 350 mm, width 220 mm

Curator: "Fabriek en ceremonie," or "Factory and Ceremony," dating from around 1929-1930, is a photographic assemblage that captures, it seems, daily life connected with industry and community. The black and white tonality gives it a nostalgic feel, even though the images likely depict a very modern scene of its time. Editor: I agree; the monochromatic palette certainly lends to a certain mystique, almost dreamlike. At first glance, it looks like a collage of postcards—mementos from a time of industry, expansion, and progress—the type that feels simultaneously hopeful and haunting, no? Curator: It does evoke that feeling. Looking closer, one observes not just individual photographs, but a carefully curated arrangement on a page. There's a picture of a person in a chair, an impressive building that could be an office or hotel and what looks like some sort of group ceremonial welcome. It appears like someone arranged this page in a personal album. Editor: Absolutely! See, I initially zoomed in on that photo in the lower left of people in ceremonial dress… it reminded me of some official receiving party, with a slightly surreal undertone given the vast, empty space behind them, with their stark white clothing standing in sharp relief against what seems to be the industrial site around it.. Like actors stepping onto a strangely austere stage. Curator: Interesting interpretation. One wonders who these people are, what's the meaning behind this meeting, who recorded it, and for what public? These kind of questions of course can not be simply extracted from these images but certainly suggest lines of enquiry in archival or collection work. Editor: Right! The lack of firm answers enhances that enigmatic quality of the images; as if the narrative behind it has faded, and we're left with fragments that we can reconstruct and imbue with meaning of our own—creating mini time capsules ripe for narratives—it gives the scenes a universal echo beyond time. Curator: Well, thank you for those final words. It strikes me that even if these pictures portray mundane and workaday life, these combined impressions give this artifact a peculiar historical value and opens unique cultural study angles to any one curious enough.

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