Militair kamp, korvee en voetbalwedstrijd by Anonymous

Militair kamp, korvee en voetbalwedstrijd 1935 - 1938

0:00
0:00

print, photography, gelatin-silver-print

# 

portrait

# 

paper non-digital material

# 

print

# 

photography

# 

group-portraits

# 

gelatin-silver-print

# 

genre-painting

# 

modernism

Dimensions height 70 mm, width 65 mm, height 207 mm, width 260 mm

Editor: So, here we have “Military Camp, Chores and Football Match,” a series of gelatin silver prints likely from between 1935 and 1938 by an anonymous artist. I find the snapshot aesthetic gives it a strangely intimate feel, despite the obviously formal, structured context. What strikes you when you look at it? Curator: What catches my eye is the contrast, or perhaps the intended harmony, between regimented activity and leisure. It reminds me of trying to find personal space within imposed structures; how does one build individual memories in what looks like such a homogenised setting? Editor: Exactly! The football game really punctuates the regiment with a blazon of freedom. And so I suppose, what does football symbolise here, and where do chores enter into this equation? Curator: Well, the football, I imagine, is a sanctioned form of release, controlled spontaneity. Think of chores - and more specifically, the positioning of those images, almost cornerstones - as an integral ingredient, because you cannot truly savor your leisure if you have not in some capacity 'earned' it. Do you think there is a tension at play here or more of a subtle synergy? Editor: I think the synergy feels more believable, at least with the addition of the group-portraits in the upper echelons; as a group perhaps, all can be forgotten for fleeting instances, especially through something universally bonding like a good game. I am wondering what future a photographer would anticipate, to bother committing these things to memory… Curator: Maybe, and this is just spitballing here, they hoped for a future of camaraderie amidst discipline. Or perhaps, more darkly, they sensed an impending storm, hoping to capture a last vestige of normal life before the descent into the Second World War? I am just thankful that the photographs survived, so we can weave our own readings into them. Editor: Definitely; thinking of this makes this little gelatin print even more potent in the way of forgotten time!

Show more

Comments

No comments

Be the first to comment and join the conversation on the ultimate creative platform.