drawing, print, etching, paper, ink, pen
pencil drawn
drawing
toned paper
light pencil work
quirky sketch
allegory
narrative-art
baroque
etching
pencil sketch
figuration
paper
personal sketchbook
ink
sketchwork
sketchbook drawing
pen
pencil work
italian-renaissance
sketchbook art
Dimensions height 451 mm, width 275 mm
Pietro Monaco made this print, The Temptation of Saint Anthony, in the 18th century, after a design by Giovanni Battista Tiepolo. It shows Saint Anthony being assailed by demons who offer earthly temptations. In this image, we see how anxieties about the individual’s relationship with religious institutions play out in the art of the time. Anthony’s placement on a rocky outcropping suggests the isolation of monastic life, but that choice is constantly under threat by outside forces of temptation. The male and female figures who embody temptation are depicted as beautiful and seductive, which visually implies a critique of the monastic values of celibacy and renunciation. By understanding the social and institutional context of Monaco's time, through careful analysis of historical documents, we can gain a deeper understanding of the public role and political meanings of art.
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