Wilhelmina Regina / Algemeen Handelsblad by Algemeen Handelsblad

Wilhelmina Regina / Algemeen Handelsblad Possibly 1938 - 1939

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print, paper, photography

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portrait

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newspaper

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narrative-art

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print

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landscape

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paper

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photography

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orientalism

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cityscape

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realism

Dimensions height 60 cm, width 55.5 cm

Curator: Here we have a curious artifact - a newspaper page, likely from 1938 or '39, titled "Wilhelmina Regina/ Algemeen Handelsblad". It appears to be a print on paper, focusing on a Royal visit. It seems so immediate, yet distanced by time... Editor: Exactly. My first impression is the sheer density of information and how much of a time capsule it feels like. All the headlines and small, packed-in pictures! It is chaotic yet unified as an artwork. What do you see when you look at this piece? Curator: I see echoes, truly. The clamor of a crowd welcoming their Queen – the anticipation practically vibrates off the page, even frozen in ink as it is. Don't you get a strong feeling of the collective emotions involved, almost bordering on chaos? And yet, it’s meticulously organized – like trying to contain a roaring ocean within neat little columns! Editor: That’s a brilliant image! It feels like a planned and controlled outpouring of joy, especially considering its presentation in the Algemeen Handelsblad newspaper. I also notice the detailed portraiture of Queen Wilhelmina seems at odds with the reportage-style photography of the event itself. Was that common at the time? Curator: Oh, absolutely. Royal portraiture held a powerful symbolic weight. Combining it with these raw, snapshot-like images emphasizes the monarchy's connection with the everyday person. It shows their visibility as human, and illustrates the paper’s access and immediacy through photographic style. Tell me, though—does it feel "alive" despite being a still image on static medium? Editor: In a way, yes. Newspapers thrive in motion. I agree, though. I found it curious that the composition almost fights with itself: Is it reportage, propaganda, art, or something in between? Curator: It's all of those things, beautifully mashed together! We have something deeply human rendered by this medium! Thanks for pointing out the multi-dimensionality.

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