Erotische voorstelling c. 1680 - 1698

Editor: This drawing, “Erotische voorstelling” from around 1680-1698 by Sugimura Jihei, rendered in ink, feels…surprisingly intimate given the subject matter. The floral patterns in the bedding almost seem to soften the scene. What catches your eye? Curator: It whispers rather than shouts, doesn’t it? Like overhearing a secret. Jihei uses line in such a fluid way; the figures intertwine almost seamlessly with the patterned fabrics, as if the lovers and their surroundings are breathing as one. The *shunga* tradition, of which this is an example, wasn’t just about titillation; it was deeply embedded in cultural beliefs around pleasure, fertility, and even spiritual well-being. Does it shift your initial reaction knowing that? Editor: It does, actually! I was viewing it primarily through a contemporary lens. Thinking about it as a cultural artifact about fertility gives the patterns another layer of meaning - life. What about that tattoo? Is that common? Curator: An excellent spot. I suspect it serves to signify their standing, add allure, and suggest their character, maybe rebelliousness. It's worth investigating further, of course! Jihei, in any case, wasn’t merely documenting; he was interpreting desire, weaving a story with every stroke. It also softens the image – in modern-day viewing, the scene becomes one of freedom and power, right? Editor: Absolutely! Seeing it as less scandalous and more like an invitation to think about the person beyond the art is actually rather progressive! Curator: I know - and in this way art endures, evolves. Our discussion makes me love it even more!