Design for a Chair and Three Designs for Ceiling Molding by Anonymous

Design for a Chair and Three Designs for Ceiling Molding 19th century

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drawing, print, pencil, pen

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drawing

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print

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pen sketch

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pencil sketch

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form

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geometric

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pen-ink sketch

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pencil

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line

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pen

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decorative-art

Dimensions: a: 8 9/16 x 10 11/16 in. (21.8 x 27.2 cm) top b: 6 x 9 1/8 in. (15.2 x 23.2 cm) bottom

Copyright: Public Domain

Curator: Welcome. Before us we have an intriguing 19th-century drawing entitled "Design for a Chair and Three Designs for Ceiling Molding," currently residing at the Metropolitan Museum of Art. Editor: My first thought? These aren't just functional sketches, there's such a delicious indulgence here. It makes me wonder about the sort of patrons commissioning this level of ornamentation. Curator: Exactly! These are more than simple outlines; each swirl and flourish reflects an aspiration for grandeur. The elaborate chair designs, along with the proposed ceiling embellishments, broadcast status and cultivated taste. We see a continuity with baroque forms. Editor: And the chairs aren't just chairs. That chair, it’s almost a throne—I mean, imagine sinking into one of those, all those swirling curves embracing you, like the set of some wildly extravagant historical drama! Curator: Consider the cultural weight such imagery carries. A chair, from the most humble stool to these extravagant designs, signifies power, authority, and social position. Each line tells a silent story of class, ambition, and historical yearning. Editor: Right. It’s almost as if the person sitting in it isn't as important as the statement that chair is making. Look at the sheer dedication to surface decoration, those floral rosettes! I wonder if anyone actually thought about comfort at all! Curator: These ornamental elements themselves draw upon traditions. Floral motifs historically symbolize prosperity and divine blessing; their presence here imbues the designed space with both material wealth and spiritual favor. It makes the chairs as carriers of deeper societal meanings. Editor: So, in a way, this drawing isn't just a plan for objects but an encoded message about who gets to inhabit those spaces and benefit from these supposed blessings. Who holds that level of authority or who strives to possess it! It really challenges our thinking about access to status! Curator: Indeed. Looking closer at these designs offers insight into our perennial desire to reflect our ambitions and desires within our constructed surroundings, it really captures that aspiration perfectly. Editor: Thinking about it, it makes me ponder what objects *I* would have immortalized into art. What will my chair of cultural aspiration look like?

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