Femme Persienne, plate 91 from "Recueil de cent estampes représentent differentes nations du Levant" 1714 - 1715

Jean Baptiste Vanmour created this print, "Femme Persienne," as part of a series documenting different nations of the Levant. The composition centers on a standing Persian woman, her figure framed by heavy drapes and a low divan. Note how the engraver used dense, cross-hatched lines to define the textures of fabrics, contrasting with the smoother surfaces of skin and stone. The structural organization guides our reading of cultural signs. The woman’s gesture, drawing attention to her hand, could signify a specific cultural practice, a mode of communication, or an assertion of identity. The figure in the background, attending to a smoking apparatus, introduces a narrative element, hinting at domestic rituals or social hierarchies. Consider how Vanmour's technique presents the ‘Orient’. Is this a faithful record or a constructed image filtered through European conventions? The print invites us to consider how cultural representation operates, challenging fixed notions of East and West.