Case (Inrō ) with Design of a Gourd Vine by Koma Yasutada

Case (Inrō ) with Design of a Gourd Vine 18th century

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drawing, tempera, painting, ink, wood

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drawing

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tempera

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painting

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asian-art

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japan

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ink

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orientalism

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wood

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decorative-art

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miniature

Dimensions H. 3 5/8 in. (9.2 cm); W. 2 3/8 in. (6 cm); D. 11/16 in. (1.8 cm)

Curator: What a striking object! Before us is an Inrō, or traditional Japanese case, adorned with a design of gourd vines. This dates back to the 18th century, and the artist is Koma Yasutada. You can find this beauty at the Metropolitan Museum of Art. Editor: It's surprisingly vibrant. The red is so saturated, and those stylized gourd leaves – they feel both organic and carefully constructed. What's the material like? It appears to be wood. Curator: Indeed, it's primarily crafted from wood, with details rendered in ink, tempera, and perhaps some drawing techniques. It was designed to be functional, carried by the stylish population of the time! Editor: Carrying everyday items with so much ornamentation does seem like quite the statement. What is the gourd's relevance in this society and the overall Asian artistic framework? Curator: The gourd motif is layered with meaning. On the surface, gourds represent prosperity, abundance, and even fertility. Moreover, they symbolize a connection to nature, so often invoked in art, poetry, and design. Editor: I notice how the composition wraps around the cylindrical shape. Are there other motifs on this object, such as the red mask figure? Curator: Yes, these Inrō cases are often accompanied by a netsuke, a carved toggle, that attaches the case to the obi sash. You have a character there! We see a stylized mask, it serves both a functional and ornamental role, so the overall feel is enhanced with it! Editor: Masks can channel psychological and cultural narratives—powerful yet miniaturized. This one suggests something playful. It makes a powerful historical moment incredibly fun. Curator: Yes, there's a constant interplay between form and utility here. A mundane item elevated to an art object, infused with layers of symbolism. I believe that helps to understand our human attachment to material possessions and culture. Editor: Ultimately, viewing this Inrō is a fascinating glimpse into Edo-period aesthetics—art's accessibility as both a lifestyle choice and a reflection of the values held dear. Curator: Indeed, an embodiment of beauty woven into the fabric of daily life. It makes me ponder on the idea that symbolism speaks for cultural and social ideas.

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