[Actress wearing patterned bodice], from the Actors and Actresses series (N145-8) issued by Duke Sons & Co. to promote Duke Cigarettes 1890 - 1895
drawing, print, photography, albumen-print
portrait
drawing
photography
coloured pencil
albumen-print
Dimensions: Sheet: 2 11/16 × 1 3/8 in. (6.8 × 3.5 cm)
Copyright: Public Domain
Curator: I find myself quite drawn to the dreamy, almost faded quality of this photograph. There's a story whispered within its sepia tones, a sense of forgotten glamour. Editor: It definitely speaks to a particular kind of cultural moment. What we're looking at is an albumen print, part of the "Actors and Actresses" series by W. Duke, Sons & Co., dating from between 1890 and 1895. They were included in cigarette packs as a promotional item. Think of it as an early form of trading card meets advertisement. Curator: So, the price of beauty, in a way, was consumption itself. This delicate, thoughtful portrait essentially became disposable. It tugs at something within, a lament for the ephemeral nature of fame and the often-invisible labor behind even the simplest image. Editor: Exactly! Consider the material process. Albumen prints used egg whites to bind the photographic chemicals to the paper. It’s a labor-intensive process that required specific skills. And this particular card promotes Duke Cigarettes – we’re seeing the intertwining of the burgeoning entertainment industry with mass production and, of course, the addictive tobacco trade. It is about more than aesthetics. Curator: The subject, an unnamed actress wearing what looks like a quite dazzling bodice, gaze turned slightly upward… What was she dreaming of, I wonder? I want to feel, just for a second, the fleeting ambition, vulnerability, and sheer guts it took to put oneself on display, especially with that backdrop of material circumstances bearing down, even back then. Editor: I notice her patterned bodice, its details, perhaps mimicking "exotic" or Orientalist motifs popular in the theater. These cards constructed not only celebrity but also consumer desire around fantasies sold by mass media. The materials, the techniques, even her costume choice all speak to this cultural web. Curator: It all connects – a beautiful face, caught forever on a small card, that made the manufacturer profit. Thinking about the whole scope of it – who is this woman? What sacrifices were made for beauty and fame? Editor: Indeed. Looking closely connects you back through time and process. From production lines, to labor, all the way to the hand slipping this card into a cigarette pack and another setting trends. You could reflect for ages... Curator: Ultimately, perhaps, this small print whispers of all the vanished stories and faces who once dreamed. The very notion makes me quiet now.
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