Elsie Dean as Violetta in Cinderella, from the Actresses and Celebrities series (N60, Type 2) promoting Little Beauties Cigarettes for Allen & Ginter brand tobacco products 1887
drawing, print, photography, photomontage, charcoal
portrait
drawing
charcoal drawing
photography
photomontage
genre-painting
charcoal
charcoal
Dimensions: Sheet: 2 3/8 × 1 1/2 in. (6 × 3.8 cm)
Copyright: Public Domain
Editor: Here we have "Elsie Dean as Violetta in Cinderella," a print from 1887, part of the "Actresses and Celebrities" series by Allen & Ginter. It's a delicate portrait, a faded glimpse into a bygone era. What can you tell me about it? Curator: Well, let's consider the context: Cigarette cards featuring actresses. This wasn't just about selling tobacco; it was about constructing ideals of femininity and celebrity. Violetta, a character in Cinderella, represents an archetype of virtue and suffering, easily consumable and marketable. How does this interplay of performance, identity, and commodity speak to you? Editor: It's interesting to think about it as constructing an ideal... Almost like packaging an image of femininity. Curator: Precisely. Think about who Elsie Dean was, her agency in this image. How much control did she have over her own representation? These cards were tools in a broader system of power. They normalized certain types of beauty, certain roles for women, and certain kinds of consumption. Editor: So, it’s not just a pretty picture; it reflects larger social and cultural forces at play. Were these images widely distributed? Curator: Extremely. Placed in cigarette packs, they entered homes across social classes, embedding these ideals within everyday life. This mass dissemination is what makes them such potent historical documents. What does this accessibility suggest about its impact on gender perceptions at the time? Editor: I see what you mean. I never considered how such a small image could hold so much significance in reflecting the values and power structures of the late 19th century. It goes way beyond just simple marketing. Curator: Exactly. Art, even in seemingly innocuous forms, is always entangled with power. Examining those connections is where real understanding begins. Editor: I will definitely look at these kinds of portrait prints with fresh eyes going forward! Thank you!
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